Although he's a lawyer, he is employed ______ controlling a large business.A.exceedinglyB.
Although he's a lawyer, he is employed ______ controlling a large business.
A.exceedingly
B.excessively
C.principally
D.particularly
Although he's a lawyer, he is employed ______ controlling a large business.
A.exceedingly
B.excessively
C.principally
D.particularly
Although he' s a lawyer, he' s ______ employed in controlling a large business.
A.exceedingly
B.particularly
C.principally
D.excessively
W. Oh, yes, he used to teach at the same department as my husband. They knew each other pretty well.
M: Where was that?
W: London University. You know I was a student there, although he didn't teach me.
M: Where was that?
W: London University. You know I was a student there, although he didn't teach me.
What did the woman use to be?
A.A student at London University.
B.A teacher at London University.
C.A student at Beijing University.
What can we learn from the conversation?
A.Sampras is making up for what has been lost with his family members.
B.It is Sampras"s fourth trip to China in three months.
C.Sampras is not confident of Li Na"s reaching another peak soon.
D.Sampras still plays much in ATP although he is a little bit slower.
A.Don't believe what he said.
B.That's a good rule to live by.
C.Saying is easier than doing.
D.Yes, I do like to follow, although some patients don't like it.
If parents bring up a child with the aim of turning the child into a genius (天才), they will cause great damage to him. According to several leading educational psychologists (心理学家), this is one of the biggest mistakes which some parents make. Generally, the child will understand very well what the parent expects. But unrealistic parental expectations can cause great damage to children.
However, if parents are not unrealistic- about what they expect their children to do, but are hope ful in a sensible way, the child may succeed in doing very well -- especially if the parents are very supportive of their child.
Michael Li is very lucky. He is very fond of music, and his parents help him a lot by taking him to concerts and arranging private piano and violin lessons for him. They even drive him 50 kilometers twice a week for violin lessons. Although Michael's mother knows very little about music, she supports her son. Michael's father plays the trumpet(小号) in a large orchestra(管弦乐队). However, he never makes Michael enter music competitions if he is unwilling.
Michael's friend, Winston Chen, however, is not so lucky. Although both his parents are successful musicians, they set too high a standard for Winston. They want their son to be as successful as they are and so they make him enter every piano competition. They are very unhappy when he doesn't win. "When I was your age, I used to win every competition ! entered. "Winston's father tells him. Winston is always afraid that he will disappoint his parents and now he always seems quiet and unhappy.
The main idea of the passage is ______.
A.how parents should make a child a musician
B.how parents should bring up a child
C.what differences there are between two kinds of parents
D.what aim of a child can be much easier to reach
New CEO for TNR's European Division
Automaker TNR announced yesterday that it has (141) Pierre Aldridge, the current CEO of its IntelliCar division, to the new position of CEO of the entire European division, effective immediately. Mr. Aldridge, 48 years old, will be responsible for overseeing the company's operations throughout Europe, and also for looking into potential relationships and expansion opportunities in Asia.
Although Mr. Aldridge will begin working in his new position immediately, he will continue acting as CEO of the IntelliCar division until the release of the IntelliCar 3.2, and until a (142) is hired.
Mr. Aldridge is (143) for Tim Dressier, who was reassigned to the North American office.
(41)
A.appoint
B.appoints
C.appointed
D.appointment
听力原文: My father was a very soft-spoken man, however, he had some very definite ideas about money and work. He believed that work was good for the soul and, besides, money could come in very handy. Papa also felt that the best way to get a job was to already have one.
As a teenager, I remember my father being delighted when my brother landed a job working for a major hamburger chain. My brother wasn't very happy about the job but desperately wanted the money necessary to buy his own ear. Although the position was as unglamorous as they come, my father felt that it was a good beginning. He believed that if you had a job, it would show other employers that you are worth hiring.
Even to this day, I never resign a position until I am offered another one. Papa's wise counsel has helped me to be gainfully employed ever since I graduated from college. Although papa died a few years ago,' his wisdom will be passed on to generation upon generation.
(30)
A.He was indifferent to his job.
B.He was happy about his job.
C.He was unhappy about his job.
D.He was satisfied with his job.
. He was the youngest of five sons. The Grounds were ahandsome lot: blue-eyed, fair-haired, clever ___62___ ambitious. Thefour older boys all made a success of their lives. They married beautiful girlsof good family and produced children __63___ fair and handsome andclever as themselves. The eldest became a clergyman;the second___64____ up as the headmaster ofa famous public school;the ___65___went intobusiness and became rich; the fourth ___66___ in his father's footstepsand became a lawyer. That is why everybody was amazed when the youngest Ground,Henry, turned ____67___ to be a lazy good-for-nothing.
Unlike hisbrothers, he had brown eyes and dark hair, but he was every bit ashandsome and charming,____68___madehim quite a lady-killer. And, although he never married ,___69___ is no doubt at all that Henry Ground loved women. Healso loved eating,drinking, laughing, talking and athousand other___70____ which don’t make money or improve the human life. One of his favorite pastimeswas doing nothing.
The history of responses to the work of the artist Sandro Botticelli(1444 —1510)suggests that widespread appreciation by critics is a relatively recent phenomenon. Writing in 1550, Vasari expressed an unease with Botticelli' s work, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art historians defamed Botticelli in favor of his fellows Florentine, Michelangelo. Even when anti-academic art historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors, Botticelli' s work remained outside of accepted taste, pleasing neither amateur observers nor connoisseurs.(Many of his best paintings, however, remained hidden away in obscure churches and private homes.)
The primary reason for Botticelli' s unpopularity is not difficult to understand: most observers, up until the mid-nineteenth century, did not consider him to be noteworthy, because his work, for the most part, did not seem to these observers to exhibit the traditional characteristics of the fifteenth-century Florentine art. For example, Botticelli rarely employed the technique of strict perspective and, unlike Michelangelo, never used chiaroscuro.
Another reason for Botticelli' s unpopularity may have been that his attitude toward the style. of classical art was very different from that of his contemporaries. Although he was thoroughly exposed to classical art, he showed little interest in borrowing from, the classical style. Indeed, it is paradoxical that a painter of large-scale classical subjects adopted a style. that was. only slightly similar to that of classical art.
In any case, when viewers began to examine more closely the relationship of Botticelli' s work to the tradition of the fifteenth century Horentine art, his reputation began to grow. Analyses and assessments of Botticelli made between 1850 and 1870 by the artists of the Pre-Raphaelite movement, as well as by the writer Pater(although he, unfortunately , based his assessment on an incorrect analysis of Botticelli' s personality), inspired a new appreciation of Botticelli throughout the English-speaking world. Yet Botticelli' s work, especially the Sistine frescoes, did not generate worldwide attention until it was finally subjected to a comprehensive and scrupulous analysis by Home in 1908. Home rightly demonstrated that the frescoes shared important features with paintings by other fifteenth-century Florentines—features such as skillful representation of anatomical proportions, and of the human figure in motion. However, Home argued that. Botticelli did not treat these qualities as ends in themselves—rather, that he emphasized clear depletion of a story, a unique achievement and one that made the traditional Florentine qualities less central.
Because of Home' s emphasis crucial to any study of art, the twentieth century has come to appreciate Botticelli' s a-chievements.
Which of the following would be the best title for the text?
A.The Role of Standard Art Analyses and Appraisals
B.Sandro Botticelli: From Rejection to Appreciation
C.The History of Critics' Responses to Art Works
D.Botticelli and Florentine: A Comparative Study