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The phrase "highly charged" (Para. 2) most probably means______.A.extremely freeB.highly r

The phrase "highly charged" (Para. 2) most probably means______.

A.extremely free

B.highly responsible

C.very cheerful

D.full of mobility and change

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第1题
The phrase "highly charged" (Line 2, Para. 2) most probably means______.A.extremely expens

The phrase "highly charged" (Line 2, Para. 2) most probably means______.

A.extremely expensive

B.much cheerful

C.highly responsible

D.full of mobility and change

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第2题
The phrase "highly charged" (Para. 2) most probably means ______.A.highly responsibleB.ext

The phrase "highly charged" (Para. 2) most probably means ______.

A.highly responsible

B.extremely free

C.full of mobility and change

D.very cheerful

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第3题
•Read the article below about a critical concern in merger and acquisition strategie
s.

•Choose the best word or phrase to fill each gap from A, B, C, or D on the opposite page.

•For each question 19--33, mark one letter (A, B, C, or D) on your Answer Sheet.

A Critical Concern in Merger and Acquisition Strategies

Mergers and acquisitions as growth strategies are once again in vogue. This business drama seems to be (19) by recent highly visible mergers between rich and famous players. Even speculation around a low ball offered by Comcast to acquire Disney seems to excite global (20) in corporate marriages.

However, like all such (21) , long-term success is rarely accomplished by a mere combination of cool stuff and know-how. In the midst of all the hype, a well documented fact is that most merger and acquisition activity rarely (22) the highly anticipated cooperation between companies. Throughout a merger or acquisition, people in an acquired company often (23) that they don't know what is happening, express fear about (24) their jobs, and feel demoralized as to the future of their contributions. Failed mergers that otherwise have a (25) strategic and financial fit are typically the (26) of the irretrievable loss of intangible, messy-to-measure, and difficult-to-implement human (27) on which the company's tangible assets ultimately (28) .

Traditional integration practices have been (29) around consolidating key resources, financial and physical assets, (30) names, and tradable endowments. The most forward-thinking integration strategies also capture key pieces of elusive core competencies, such as a/an (31) 's best practices, skills, knowledge bases, and routines. (32) excluded are critical root strategic assets, which can make or break a union that is otherwise "made in heaven". These root strategic assets (33) collaborative leadership, cultural cohesion and talent retention.

(19)

A.fueled

B.replaced

C.produced

D.directed

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第4题
Your kind co-operation () this regard will be highly appreciated.

A.on

B.in

C.from

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第5题
The boy jumped ()at the sports meeting and he was()praised by the teacher.()。

A.high; high

B.high; highly

C.highly; highly

D.highly; high

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第6题
The phrase () means "law that prescribes the procedures and methods for enforcin

The phrase () means "law that prescribes the procedures and methods for enforcing rights and duties and for obtaining redress".

A、procedural law

B、civil law

C、common law

D、substantive law

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第7题
The colleagues think highly _________________you,and so do I.

A.of

B.about

C.to

D.with

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第8题
Tone refers to the use of pitch at()level.

A.word

B.phrase

C.sentence

D.both phrase and sentence

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第9题
Thomas Hardy's impulses as a writer, all of which indulged in his novels, were numerous an
d divergent, and they did not always work together in harmony. Hardy was to some degree interested in exploring his characters' psychologies, though impelled less by curiosity than by sympathy. Occasionally he felt the impulse to comedy (in all its detached coldness) as well as the impulse to farce, but he was more often inclined to see tragedy and record it. He was also inclined to literary realism in the several senses of that phrase; He wanted to describe ordinary human beings. He wanted to speculate on their dilemmas rationally (and, unfortunately even schematically); and he wanted to record precisely the material universe. Finally, he wanted to be more than a realist. He wanted to transcend what he considered to be the banality of solely recording things exactly and to express as well his awareness of the occult and the strange.

In his novels these various impulses were sacrificed to each other inevitably and often inevitably, because Hardy did not care in the way that novelists such as Flaubert or James learned, and therefore took paths of least resistance. Thus one impulse often surrendered to a fresher one and, unfortunately, instead of exacting a compromise, simply disappeared. A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist scientist to record exactly and concretely the structure and texture of a flower.

In this instance, the new impulse was at least an energetic one. And thus its indulgence did not result in a relaxed style. But on other occasions Hardy abandoned a perilous risky and highly energizing impulse in favor of what was for him the fatally relaxing impulse to classify and schematize abstractly. When a relaxing impulse was indulged, the style—that sure index of an author's literary worth—was certain to become verbose.

Hardy's weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones. He submitted of first one and then another, and the spirit blew where it listed; hence the unevenness of any one of his novels. His most controlled novel, Under the Greenwood Tree, prominently exhibits two different but reconcilable impulses—a desire to be a realist-historian and a desire to be a psychologist of love but the slight interlockings of plot are not enough to bind the two completely together. Thus even this book splits into two distinct parts.

Which of the following is the most appropriate title for the passage, based on its content?

A.Hardy's Novelistic Style. A Literary Light.

B.Hardy's Creative Conflict: Rationalism and Realism.

C.Hardy's Achievements: An Ambiguous Triumph.

D.Hardy's Novelistic Impulses: The Problem of Conflicts.

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第10题
Expensive restaurants aren’t _____ the best.

A. apparently

B. urgently

C. highly

D. necessarily

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